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The Art of TOM ROBERTS (Part 2)

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Marksman, published by Crippen & Landru back in 2002, appears this week thanks to last week's comment by John Hocking. Quite coincidentally, it was George Kelley's Forgotten Book on Friday. His comments are HERE


Marksman features five Joe Puma adventures (hence the name on the door) and four non-series stories.


Here's an image of Joe himself. 


Here's the book on the table. Tsk. That glass is going to leave a ring.


The newspaper headline refers to La Paloma, the ship that brought the Maltese Falcon to San Francicso. The photograph appears to show the ship burning.


And the pulp in the trashcan is the February 1943 issue of Private Detective Stories


I had planned to feature three of Tom's paintings this week, but this one provided enough cool suprises to stand on its own. More coming next Sunday, and for quite a few Sundays to come!

Last week's gallery is HERE.

(Thanks to Mr. Richard Robinson for the Marksman cover scan)

Whatever Happened to No Toes McInnes? Cap Gun Monday: MAVERICK

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I don't remember where I got this holster, but I know the name of the original owner. Makes me wonder whatever happened to him - and more to the point - what happened to his toes? If you happened to be acquainted with old No Toes, ask him to shoot me an email. I'm sure our readers would like to hear the tale. In any case, he is to be commended for keeping his toys in such good shape (except, of course, for searing his name into the holster belt with a wood burning tool). 

The Maverick pistol shown here, made by Leslie-Henry, is basically the same gun as the Davy Crockett model shown HERE. I also have Gene Autry and Paladin versions, and there were several others.









Cap Guns Galore HERE.

Overlooked Audio: A NEW Adventure of THE SHADOW

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Since last June, when I called your attention to Pulp-Pourri Theatre's adaptation of the W.C. Tuttle story "By Order of Buck Brady" (HERE), Pete Lutz and the Narado Radio Company gang have been mighty busy.

Among the many new programs now available for listening or downloading is this all-new adventure of The Shadow, proving once again that Crime Does Not Pay. I suggest you bop over there and check out The Shadow: A Trip to Eternity, HERE.

You should also peruse the menu of other productions, including stories of Science Fiction, Crime, the Supernatural, the Macabre, the Jungle, Espionage and War. And for you high-brows, there's even an adaptation of Macbeth. That stuff is HERE.

More Overlooked Entertainment at Sweet Freedom.

The Lone Ranger - MORE Painted Covers (1954)

Pulp Gallery: The PHANTOM DETECTIVE

FFB: Three Books Reviewed by *Guest Blogger* DASHIELL HAMMETT

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This article is from the April 16, 1927 issue of The Saturday Review of Literature


Guessers and Deducers


THE AFFAIR IN DUPLEX 9B. By WILLIAM JOHNSON. New York: George H. Doran. 1927. $2.

THE KINK. By LYNN BROCK. New York: Harper & Bros. 1927. $2.

AURELIUS SMITH—DETECTIVE. By R. T. M. SCOTT. New York: E. P. Dutton & Co. 1927. $2.


Reviewed by DASHIELL HAMMETT



THERE exists a considerable body of reasonably authoritative literature on crime detection. Such Europeans as Gross and Niceforo have been done into English; Macnaughten, Anderson, and Thompson of Scotland Yard, our own Pinkerton, Burns, and Dougherty, have given their experiences. Post, Dilnot, Gollomb, and others have published articles on police methods here and abroad. Some of these books have had wide circulation. There's little evidence that many copies were bought by writers of detective stories. That's too bad.


"The Affair in Duplex 9B" is—don't stop me just because you've heard this one —about the wealthy rascal who was done in with the quick-acting South American poison, and about the Assistant District Attorney who fell in love with the beautiful young suspect. The present A. D. A. talks like this: "No, by God," said Chilton earnestly, "I'm going to prove her innocent. I saw Miss Adair, Graham, for only a few minutes, and heard her sing, but I saw enough of her to recognize that she is a sweet, clean girl whose inexperience has gotten her mixed up with a bad crowd. I'm not going to have a young girl who needs a man's protection dragged in the mire of a case like this. Find her for me, Graham, won't you, and help me shield her from this scandal, a scandal she never could live down."

Neither he nor the detectives working with him show any signs of ever having been employed in police affairs before. The simplest code ever devised—its invention followed the typewriter's by about two weeks—stumps them. (The detective who copies the coded message into his notebook is supposed, by the author and in the following chapter, not yet to have heard of it). Two typewritten letters are taken to a typewriter company for the purpose of having the machine on which they were written traced to its present owner. The company promises to try to trace it by its number. Luck to 'em! The murderer's identity may be suspected half-way through the book, but when you learn his motive you'll be ashamed of having suspected him. It's that sort of a motive.


"The Kink" is a rambling, too wordy story written in accordance with one of the current recipes, dully Babylonian in spots, gloomily melodramatic, devoid of suspense. Colonel Gore is hired to find a couple of missing men, to watch another man, to recover some stolen documents. There's a murder or two also in the book, but no excitement. This sleuth's method is simple, however the author tries to disguise it: he stalls around till things solve themselves. Even when he gets hold of a mysterious automobile's license number he takes no steps toward tracing it through the Metropolitan Police register, apparently not knowing that such an affair exists. Toward the last he does some guessing, but by then at least one reader had acquired too much of the Colonel's apathy to be aroused.


The dozen stories in "Aurelius Smith— Detective" are as mechanical as the others, and as preposterously motivated, but at least they do move and they are not padded. Smith is one of the always popular deducers, though not a very subtle specimen. It takes a shaven neck to tell him a man's probably not a gentleman, and a half-soled shoe to tell him another's hard up.


There isn't a credible character in any of these three books. Insanity seems to be growing in popularity as a motive for crime. Theoretically it has the advantage of not needing further explanation. Actually it's almost always a flop. 

Toy Soldier Saturday: MARX 54mm Indians (Part 2)

The Art of TOM ROBERTS (Part 3)

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A fine Crippen & Landru cover from 2002. My thanks to Richard (Tip the Wink) Robinson for the scan.


Here's Jo Gar. If this painting has any surprises hidden in the details, I failed to discover them. 


From the Olden Days of Black Dog Books. 2000. 


A more recent Black Dog collection, from 2011, featuring the author of the Doan & Carstairs series (discussed HERE).

Parts 1 and 2 are HERE. Part 4 next Sunday!

Cap Gun Monday: Halco MAVERICK 45

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This Maverick 45 is 10 1/2 inches of solid copper-toned metal, and a fine example of capgunsmithing. The 'H' brand stands for Halco, a toy distributor that farmed out the manufacturing to other cap gun companies. This one was made by Leslie-Henry, the same outfit that brought us last week's smaller Maverick pistol. That rearing pony was the Leslie-Henry trademark.










There are now more than 50 weapons in our Cap Gun aresenal. That's HERE

Overlooked Films: PHILIP MARLOWE in "Murder is a Grave Affair"

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This was episode 23 of the TV series Phlip Marlowe, from March 8, 1960.



This week's Overlooked Film collection is at Sweet Freedom.

WEIRD TALES 53, 54 & 55 (1928)

Secrets of BILL CRIDER's Bookshelf (circa 1990)

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We all know what kind of books Bill Crider reads these days (nudge nudge, wink wink), but what was he reading twenty-five years ago? For the straight skinny, we take a squint at this official author photo from the back of tomorrow's Forgotten Book. Oddly, while Mr. C is known primarily for his mystery and western fiction, there are apparently no westerns represented here, and only one mystery (and that's in a foreign language).


First, what are these two volumes he's putting the squeeze on? Obviously, they have some special significance to him. Here they are:




Next, there are at least four volumes of John Norman's Gor series visible here. Bondage, anyone?



Many masters of Science Fiction and Fantasy reside on these shelves. Robert Bloch, Leigh Brackett, Piers Anthony, Robert Silverberg, Ben Bova, Larry Niven, and Frederic Brown to name but a few. And tucked right in with them are a couple of Doc Savage books (including this one) and the saga of Robby the Robot. What's that weird critter in front of the Conan the Liberator? I don't have a clue.




Remember the Weird Heroes series? I'm pretty sure Bill does:



Remember I mentioned there's one mystery visible here? This is it. Translation: Too Late to Die (first in the Dan Rhodes series). Barbwire bondage? And who knew Bill could write in Italian?



Here's where things get eclectic. This is apparently the Motion Picture shelf. Along with Picture by Lillian Ross (the story of the filming of The Red Badge of Courage), we find:





And way down in the corner, where we weren't supposed to see it, is the Parenting section. Can you see Bill administering baby care? Naaaaaaahhhhhh.


Tune in tomorrow to see the front side of this week's Forgotten Book.

Forgotten Books: MEDICINE SHOW by Bill Crider (1990)

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The first character we meet in Medicine Show claims to be Kit Carson, but he isn't. His boss, the Colonel, isn't really a colonel. The Colonel's wife, the Indian squaw Ro-Shanna, and his daughter, the Indian maiden Banju Ta-Ta, are not really Indians. Along with a doctor (who hasn't been a real doctor for a very long time) they form the company of a thoroughly unauthentic "Authentic Indian Medicine Show," and travel the West selling phony medicine.

Most of their sales efforts are devoted to Indian Vitality Pills, which are sort of an Old West version of Viagra. Men folk want them to cure their "Secret Sorrow," and women want them to cure their men. Should Mr. Crider be hailed as a visionary, foretelling the coming of such drugs? We'll let history decide.

As the story begins, the troupe arrives in a small East Texas town with identity problems of its own. If it has a name, we never learn it. The town sheriff is secretly an outlaw, in league with a pair of slimeball brothers who run a sort of lackadasical protection racket. The guy who thinks he runs the town has no real power, and the only citizen man enough to use a gun is the preacher.

As you've no doubt guessed, this is not your average shoot-em-up. It's a complex story with at least eleven point-of-view characters, and all but two of them (the slimeball brothers who are unrelentingly bad) have their own character arcs. There are themes everywhere you look. Revenge. Redemption. Unrequited love. Unrequited lust. One character discovers he's a coward, then discovers he ain't. One crawls out of bottle and proves himself, then crawls back in. One wants somethiing she can't have until she realizes what she's already got. Some scenes have so much going on that point-of-view shifts from one paragraph to the next. That's a tough thing for a writer to pull off, but Mr. Crider does it and makes you like it.

Bottom line, it's a fast-moving, entertaining and satisfying tale, with happy endings for those who deserve them, and just deserts for those who don't. And while the 1990 hardcover edition ain't easy to come by, a shiny new Kindle version is just a few clicks away. You'll find that HERE.

One cool thing about the hardcover, though, is the back cover photo of Bill and his bookshelf. I took a close-up look at that shelf in yesterday's post, "Secrets of BILL CRIDER's Bookshelf," and found a few surprises. I invite you to check that out HERE.



Toy Soldier Saturday: Tim-Mee AIR FORCE (Part 2)

The Art of TOM ROBERTS (Part 4)

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A Crippen & Landru book from 2005. I'm curious to know who these faces belong to. (Scan courtesy of the Richard Robinson Collection)




What's the story on this cool Green Lantern painting? I wish I knew. Some guy is asking $450 for it on eBay.


A Black Dog cover from 2012. It's probably my imagination, but these guys remind me of Ham Brooks and Monk Mayfair.


More Tom art next Sunday. 
See the first three Parts HERE.

Cap Gun Monday: HUBLEY White Scout Rifle

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Dang near all the cap guns manufactured in the '50s and '60s (and before and since) were marketed to boys. But there were exceptions, and this is one of them. The boy's version of this 32' rifle was done in either dark brown plastic, or light brown with black highlights. Both are nice guns, but this white and black job, aimed at girls, is more dramatic.

The original Hubley Scout used a different mold, as we'll see in a future post. This newer edition came on the heels of the Hubley Rifleman (HERE), and is basically identical. The only differences are the smaller hand lever, the slightly different cap compartment, and the Rifleman-specific engraving. And, of course, Hubley didn't have to pay a licsensing fee. 








Lots more Cap Guns HERE

Overlooked Audio: THE PIN-UP MURDER MYSTERY on Pulp-Pourri Theatre

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The folks who brought us The Shadow: A Trip to Eternity (HERE) and W.C. Tuttle's By Order of Buck Brady (HERE) have a lot of great shows on tap, and one I can particularly recommend is this tribute to the Hardboiled Private Eye.

Pete Lutz, who wrote, produced, and - backed by the Narada Radio Company - even stars in this one, has a great feel for the genre, and The Pin-Up Murder Mystery is exemplary in every way. The script is funny and smart, the production is tight and the acting is dead on.  And I'm not the only one who was impressed. It was a finalist for the Mark Time Awards'"Nick Danger Prize" for Mystery Audio Drama.

You can (and should) listen online or download The Pin-Up Murder Mystery HERE.

P.S.Pete is also a photographer, and photo above is from his very own f/6.3 Studio.

Comic Gallery: BUCCANEERS (1950-51)

Cover Gallery: Stuart Kaminsky's Tobey Peters Books (Part 1)

Forgotten Cowboys: W.C. Tuttle's Sheriff Henry Conroy

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I've been enjoying W.C. Tuttle's Hashknife Hartley books for a a long time, and extolled the virtues of five of them HERE as Forgotten Books. But I hadn't gotten around to meeting Tuttle's number two hero, Sheriff Henry Conroy, until now. And I picked the perfect time to do it.

Why? Because Altus Press has just published Volume 1 of the Complete Tales of Sheriff Henry, allowing me to start at the beginning. What made Tuttle special was his ability to combine the mystery and western genres, and glue them together with humor. That talent is on full display in the four novelettes that make up The Sherlock of Sageland.


When we first meet Henry Harrison Conroy he's a down-at-the-heels vaudeville comedian who seems to be modeled on W.C. Fields. He's fifty-five years old, and was born into a theater family, so he's been acting all his life. Most of his comedic talent, though, revolves around his big red nose, and big red noses are no longer the rage. Just as he learns his stage career is over, he gets a letter saying he's inherited a ranch in Arizona. So to Arizona he goes.

The first three stories, "Henry Goes Arizona,""With the Help of Henry" and "The Sherlock of Stageland" are murder mysteries, in which Henry deals with cultural shock, get hilariously drunk, and surprises everyone by solving the crimes. The fourth adventure, "The Diplomacy of Henry" is a classic tale of sheep-herders versus cattlemen, with Henry caught in the middle. All originally appeared in Argosy in 1935.


Along the way, Henry is elected sheriff as a joke, and turns the joke on the town by remaining in office. He knows nothing of the law, and cares less, but somehow - usually with a drink in his - manages to bring about some justice. His supporting cast includes his deputy - a retired lawyer who stays with him drink for drink, his jailer - a big dumb Swede who guzzle prune juice, kerosene or anything he can get his hands on, his ranch foreman - a tough, loyal cowboy with a hair-trigger temper, and a handsome widow who admires Henry but abhors his drinking.

The Henry series continued in Argosy until 1941, with at least nine serials and several novelettes inbetween. Some of those serials have appeared in book form over the years, but I'm not sure which. No matter. Altus will be bringing us them all, and it's going to be a fun ride. (I also have a couple of Henry adventures in Short Stories magazine, where he appeared as late as 1947. Will those be included in this Argosy Library series? I don't know, but I'll be interested to find out.)

The first story in this book, "Henry Goes Arizona," was released as a film in 1939. Haven't seen it, but I reckon it would be pretty dang fun.

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