I've been rereading ALL of the Continental Op (short for Continental operator) stories, and as I mentioned earlier this month in a review of the first paperback collection, The Continental Op (that's HERE), that amounts to 28 stories (some of which are long novelettes) and two novels.
That's a LOT of writing, accounting for a good two-thirds of Hammett's total output.
This collection, published as a Jonathan Press digest in 1945 and Dell Mapback in 1947, contains two novelettes and three stories, all of which originally appeared in Black Mask.
The earliest story, "The Tenth Clew," (respelled here as "The Tenth Clue"), was first published in January 1924. It belongs to what I call the Op's "invisible" stage. The prose is straightforward and spare. It's not lacking in style, but it displays none of the distinct personality that emerges in later stories. Hammett's goal here was to lay out a puzzle for the Op to solve using the sort of investigative methods and agency resources Hammett himself used while working for the Pinkertons.
I have to believe that "Death and Company," which did not appear in Black Mask until 1930, was written around the same time. Like "The Tenth Clew," it's an enjoyable tale with a clever finish, but the Op is pretty much a ghost.
But in "One Hour," a short piece published only three months after "The Tenth Clew," the Op starts feeling his oats. Not only does he get more playful with his language, but he's plunged into a situation where he has to rely on his fists - and his gun - along with his brain.
The main attractions of this collection are the two novelettes, "The Whosis Kid" (from March 1925) and "The Gutting of Couffignal" (December 1925), where both the language and the action gets more wild and woolly. Black Mask readers asked for more action, and Hammett delivered.
In "The Whosis Kid," the Op gets tied up with a gang of backstabbing thieves whose antics anticipate those of Caspar Gutman, Joel Cairo and their cohorts in The Maltese Falcon. And in "The Gutting of Couffignal," the scene of the crime is entire town, where a criminal gang goes looting on a grand scale.
These days, you won't find these stories in any one collection. Crime Stories and Other Writings your best source for "The Whosis Kid," "The Gutting of Couffignal" and "The Tenth Clew," because that book restores the original Black Mask text. "One Hour" appears in the 1999 collection Nightmare Town.
Meanwhile, near as I can tell, "Death and Company" has not been reprinted anywhere since the Dell Mapback appeared in 1947. That's not only a damn shame, it's a disgrace. If any of you hardcore Op fans would like to read it, write me and email you scans.
More Forgotten Books at pattinase!
